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In this stunning follow-up to the global phenomenon The Da Vinci Code, Dan Brown demonstrates once again why he is the world's most popular thriller writer. The Lost Symbol is a masterstroke of storytelling -- a deadly race through a real-world labyrinth of codes, secrets, and unseen truths . . . all under the watchful eye of Brown's most terrifying villain to date. Set within the hidden chambers, tunnels, and temples of Washington, D.C., The Lost Symbol accelerates through a startling landscape toward an unthinkable finale.
As the story opens, Harvard symbologist Robert Langdon is summoned unexpectedly to deliver an evening lecture in the U.S. Capitol Building. Within minutes of his arrival, however, the night takes a bizarre turn. A disturbing object -- artfully encoded with five symbols -- is discovered in the Capitol Building. Langdon recognizes the object as an ancient invitation . . . one meant to usher its recipient into a long-lost world of esoteric wisdom.

Josh and Sophie must learn Water Magic in order to save the world from the evil Dee, but Nicholas Flamel is finding this very, very challenging. Continuing to keep the twins safe from the Dark Elders, even after Paris was destroyed, Flamel is struggling, as friends are in difficult places, and is desperate. But Gilgamesh, the Elder who has the keys to their survival, is nuts, and it seems like there are no other options. This is the third book in the bestselling Secrets of the Immortal Nicholas Flamel series.

1959 Journalist Fred Kaplan provides a new historical turning point, arguing that the Sixties actually began in the last year of the much maligned Fifties in his book 1959: THE YEAR THAT CHANGED EVERYTHING. The year marked the breakthroughs of major innovative artists like Miles Davis and Allen Ginsberg, civil rights began to gain momentum, "the pill" came into use for contraception, the war in Vietnam and the Space Race heated up, and the microchip jumpstarted the age of computers. Unlike many multidisciplinary histories that focus on decades, this book frees us from that mindset and reminds us that monumental shifts can start as tremors--in any year.

The year is 1906, and America is segregated. Hatred and discrimination plague the streets, the classroom, and the courts. But in Washington, D.C., Ben Corbett, a smart and courageous lawyer, makes it his mission to confront injustice at every turn. He represents those who nobody else dares defend, merely because of the color of their skin. When President Roosevelt, under whom Ben served in the Spanish-American war, asks Ben to investigate rumors of the resurgence of the Ku Klux Klan in his hometown in Mississippi, he cannot refuse.
The details of Ben's harrowing story -- and his experiences with a remarkable man named Abraham Cross -- were passed from generation to generation, until they were finally recounted to Alex Cross by his grandmother, Nana Mama. From the first time he heard the story, Alex was unable to forget the unimaginable events Ben witnessed in Eudora and pledged to tell it to the world. Alex Cross's Trial is unlike any story Patterson has ever told, but offers the astounding action and breakneck speed of any Alex Cross novel.

"The Wish Maker is a coming-of-age story set in 1990s Pakistan, a story about two children and the family they grow up in, the people and the places they come to know and love. It's a story about Lahore, the city, seen gradually through the decades; a story about Benazir Bhutto and the heady promise of democracy, and the recurring nightmare of military intervention; a story about Bollywood movie stars and American TV shows and the different kinds of forbidden love they inspire. But the novel is also intended to be a meditation on the individual consciousness, a journey into the soul's capacity to know other souls, to recognize itself in others and to grant others the validity it grants itself, which is the validity of desire, of wanting more and better things all the time. This, the capacity for wish-making, for ascribing insatiability and incompletion to other people's ideas of themselves is the central concern of the book." --Ali Sethi

Nine year old Bruno knows nothing of the Final Solution and the Holocaust. He is oblivious to the appalling cruelties being inflicted on the people of Europe by his country. All he knows is that he has been moved from a comfortable home in Berlin to a house in a desolate area where there is nothing to do and no-one to play with. Until he meets Shmuel, a boy who lives a strange parallel existence on the other side of the adjoining wire fence and who, like the other people there, wears a uniform of striped pyjamas. Bruno's friendship with Shmuel will take him from innocence to revelation. And in exploring what he is unwittingly a part of, he will inevitably become subsumed by the terrible process.